KENNY BURRELL SOUL LAMENT PDF

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Holley establishes the groove with a well-articulated bass line, which Burrell glides over sparsely, until the saxophonist comes in to state the head in unison with the guitar. If you are running an ad blocker, please disable it on whosampled. Darker hues ruled the night, and the pale moonlight of a lovelorn skyline meant it was past last call and all that remained of the day was an overwhelming air of what could only be called the blues.

Discussion Be the first to comment on this track! Please sign in burrepl sign up. Refresh the page to see the result. Taking another departure from the bar blues, Burrell shows his prodigious bebop chops here, cutting loose on some extended lines juxtaposed with subtler rhythm guitar, employing technique that carries his characteristic fullness despite its comparatively fewer notes.

Undoubtedly, was a high-water mark for jazz, in New Jersey and elsewhere. Here ubrrell the instructions on how to disable your ad blocker: A true master, Burrell has internalized the form, giving him the sense of repose and restraint that is the cornerstone of any bluesman worth his salt. The eight-bar intro lays down a pulsing Latin clave, with Holley pedaling the burrrll as Barretto takes liberties on the congas.

This is possibly because you are running an ad blocker or another browser extension that is preventing ads from showing, or are using browser privacy settings that do not allow ads to show. The effect is a listener-friendly album with a tonally nuanced atmosphere easily shared between the jazz aficionado and the neophyte who just heard Kind of Blue for the first time; regardless of background, a smooth ride allows passengers to take in the scenic vistas.

The two continue riffing over each other until it all starts to fade out—the blues are never finished, merely abandoned at dawn—as Saturday night palpably fades into Sunday morning.

Every subscription supports the running of our service. The pace picks up abruptly on the title track, which reintroduces the rhythm section, but not Turrentine. Please consider signing up to WhoSampled Premium to access the fastest, cleanest, ad-free WhoSampled experience for a small subscription fee. This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website.

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More by Kenny Burrell

Darker hues ruled the night, and the pale moonlight of a lovelorn skyline meant it was past last call and all that remained of the day was an overwhelming air of what could only be called the blues. Undoubtedly, was a high-water mark for jazz, in New Jersey and elsewhere. A true master, Burrell has internalized the form, giving him the sense of repose and restraint that is the cornerstone of any bluesman worth his salt. On this outing, he is joined by like-minded players who create the illusion of a loose blowing session within a tight framework: tenor saxophonist Stanley Turrentine , bassist Major Holley , drummer Billy Gene English , and conguero Ray Barretto , a highly regarded bandleader in his own right who injects a dash of Latin flavor into the mix. The effect is a listener-friendly album with a tonally nuanced atmosphere easily shared between the jazz aficionado and the neophyte who just heard Kind of Blue for the first time; regardless of background, a smooth ride allows passengers to take in the scenic vistas.

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