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It is within that framework of resistance and rupture that the works of Brazilian Plinio Marcos and the Chilean Juan Radrigan , which we are calling hyperrealist, were born. Through their actions, the characters within the dramatic worlds of Radrigan and Plinio Marcos show us, by analogy, not their personal histories, but rather the history of their people in a particular context, specifically a sector of their societies that generally is not valued by those who uphold power or even by those who are successfully located inside the system.
Make a Submission. Latin American Theatre Review. ISSN This electronic edition supported by the University of Kansas Libraries The most recent 5 years are available only through a print subscription or an institutional subscription to Project Muse.
Entirely self-taught, he became an avid reader and began writing poetry and stories from the age of twelve. He died on October 16, at the age of His characters are those living on the margins, outcast from society; substance addicts, prostitutes, the unemployed. The majority of these individuals occupy grey and depressed urban worlds, e. Others exist in further marginalised spheres, deserted dumps on the outskirts of Santiago Hechos Consumados , , and withering farmlands far from civilisation Las Brutas , From Wikipedia, the free encyclopedia.
Plínio Marcosy Juan Radrigan: Íconos del teatro de resistencia
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