ABSTRAKTION UND EINFHLUNG PDF

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Abstraktion und Einfühlung

Embed Size px x x x x The article analyses the history of the Einfhlung concept. Theories of feeling into Na-ture, works of art or feelings and behaviours of other persons by German philosophers of the second half of the nineteenth century Robert and Friedrich Vischer and Theodor Lipps are evoked, as well as a similar theory of understanding Verstehen by Wilhelm Dilthey and Friedrich Schleiermacher, to which Dilthey refers. The meaning of the term Einfhlung within Edith Steins thought is also analysed. Both Einfhlung and Verstehen were criticized as non-objective and naive methods consisting only in the identification of the subject with the object or the projection of feelings onto the object. The article refers to criticism by Georg Gadamer and Bertolt Brecht and proposes ways to restitute the concept of Einfhlung after this criticism, recalling the theory of empathy by Domin-ick Lacapra, in terms of its advantages for the historical enquiry, or the myth of Narcis-sus analyzed in the spirit of psychoanalysis by Julia Kristeva.

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