He is notable as one of the few public figures to use and promote the singing style and dialect of pre-war Warsaw after their near extinction in the aftermath of the Warsaw Uprising. After graduating from a local trade school he started work as an electro-technician for various enterprises. However, on April 4 of that year he was sent to Dachau concentration camp following an attempted escape. He was later transferred to Gusen I Mauthausen and would spend almost five years there until the camp's liberation by the American army. Liberated on May 5, , he returned to Poland. Although he survived the Holocaust , his health never recovered and Grzesiuk suffered from serious tuberculosis , which eventually killed him.
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The first part deals with the question of the body in his work, while an analysis of the body as a medium of communication is the main focus of the second part. Such is all the more evident upon reflection that Western cultures have hitherto assigned higher value to intellectually oriented accounts of human experiences; only recently have critics begun You are not authenticated to view the full text of this chapter or article.
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Search Close. Advanced Search Help. Show Less Restricted access. In what form? How can we — readers, listeners, viewers — recognize the pain and suffering hidden behind words, pictures, or other artifacts produced by trauma survivors?
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The Human Body in Nazi Concentration Camps: The Case of Stanisław Grzesiuk